Digital Camera For Close Up Shots – Choosing the best lens for macro photography can be a real challenge. There are just a few options available, all capable of transforming small objects into works of art, and each offering slightly different features. Fortunately, no matter your skill level or budget, there is a macro lens suitable for your needs nearby – you just have to know how to find it!
Below, I share the top 11 macro photography lenses, including a wide range of options for all budgets, subject options, and major brands. We’ve also made sure to include models of both DSLR and mirrorless cameras, so whatever your needs, we’ve got you covered.
Digital Camera For Close Up Shots
The Canon EF-S 35mm f/2.8 is one of my absolute favorite macro lenses because it’s simple, compact, and extremely effective. I highly recommend it to beginners who are looking for a way into macro photography that doesn’t break the bank (plus, it’s aimed at the less-expensive Canon line of APS-C cameras, which are popular among beginners and amateur shooters alike). The 35mm focal length requires you to get very close to your subject, but, taking into account the canon’s 1.6x crop, the effective focal length is actually in the area of 56mm.
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Note that you can use the 35mm f/2.8 on APS-C DSLRs such as Canon’s Rebel line – or you can buy an adapter and mount the lens on one of Canon’s excellent APS-C RF mirror-mount cameras, such as the EOS R10 or EOS R50.
The best part of this lens is the built in ring light. No, it’s not overpowering, but it’s easy to tell the difference between a good shot and a scary shot, and a nice shot will even burn your subjects. The lens also gets image stabilization features, which is always nice. Note that you’ll need a high-magnification sub, so the lens isn’t ideal for macro insect photography — but it works great for flowers, produce, and other still subjects. It may not be as versatile or even as sharp as other lenses on this list, but this lens offers excellent performance for the money!
This 40mm f/2.8 macro lens has long been revered as one of the best options for Nikon shooters who are into close-up photography (and who also appreciate the versatility of the lens). It’s small, lightweight, and you can shoot great photos of small subjects without spending a lot of money.
In fact, the Nikon 40mm f/2.8 is quite similar to the aforementioned Canon 35mm macro lens, although it lacks ring light and image stabilization. However, neither of these omissions is much; if you’re focused on ring light, you can always purchase one accessory, and image stabilization is more of a luxury than a necessity when operating a macro. As with the Canon 35mm lens listed above, you need to get very close to your subjects to get the most accurate shots, so unless they are very cooperative, you may struggle to capture insects, but you can certainly enjoy plenty of flowers and fun. the nature of the fruit without seed.
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This is a DX lens, which means it won’t work on full frame cameras. But in APS-C models, the focal length of 40mm is equal to 60mm, so in addition to macro shots, the lens offers plenty of potential for portraits and street photography. While the f/2.8 aperture can’t compete with f/1.8 or f/1.4 lenses, it still provides welcome bokeh and out-of-focus areas. My favorite aspect is the 40mm f/2.8 price: it’s by far the cheapest option on this list, so if you’re a Nikon shooter and you’re on the fence about macro photography, it’s an excellent first choice.
Serious macro shooters who want head-scratching image power are more than happy with the RF 100mm f/2.8L, one of Canon’s latest lens releases and an all-around photography powerhouse. It’s designed for RF-mount surveillance cameras, and its price point makes it a great remote for most beginners and hobbyists, but you get what you pay for.
This lens not only produces optically stunning images, but packs some outstanding bonus features that will impress any photographer. There is a focus limiter that ensures faster, more accurate autofocus for different shooting scenarios. There’s also an innovative spherical aberration control ring that basically lets you adjust the optical quality of your out-of-focus image elements — not a must-have, but a nice feature that can certainly come in handy.
If you’re a serious shooting photographer looking to upgrade from a more basic macro lens, or if you’re looking for a long-term Canon 100mm f/2.8L intended for DSLRs but you’re changing the mirror, this is the lens to buy.
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For years the Nikon AF-S 105mm f/2.8G IF-ED lens was basically the holy grail of Nikon photography. First released in 2006, it easily held its own against its much more modern competitors and is still an excellent lens option to this day. However, Nikon recently released a specially designed updated version of its Z-mount mirrorless cameras, the Nikon Z 105mm f/2.8 VR S, and the result is a stunning performer that should sit at the top of all Nikon macro shooters’ wishlists.
What makes this lens stand out? One, it offers near flawless optical quality. The images are blessedly sharp, which is essential if you want to take pro-level macro photos. In addition, the autofocus is fast and reliable, and the lens also offers a function button that you can assign to different functions on your camera panel. Then there is built-in image stabilization, which will help you take sharp pictures even with your hand in light (or high magnifications!), and also a focus limiter switch that will increase autofocus speeds in certain situations.
Quite expensive But if you’re a serious shooter looking to track your work – or simply trying to capture as much detail as possible – it’s worth every penny.
If you’re a Sony photographer in need of a world-class macro lens, then look no further than the 90mm f/2.8 Macro, which combines the best of what Nikon and Canon competitors have to offer. The lens features a strong, durable construction with dust and moisture resistance, which can be especially helpful with macro photography in rain, snow, and more.
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It can provide image stabilization by switching to the side, and this lens also has a three-point focus limiter similar to the Canon RF 100mm f/2.8. Sony lenses are renowned for their exceptional optical quality, and this one is no exception, producing sharp images with excellent contrast and color rendering. The function button is customizable, and you can quickly switch from focus to autofocus with the sliding ring.
One slight limitation is this f/22 minimum aperture lens – stopped down to f/22, the depth of field is still extraordinarily shallow at high magnifications. But you can always use focus to compensate (which will help with diffracting for more serious results). At the end of the day, flower and product photographers will love this lens, and while insect shooters may wish for a longer focal length, it will still do an excellent job.
While some photographers don’t want to use third-party lenses, manufacturers like Sigma and Tamron are working to produce excellent glass, and recent offerings from both companies have matched their first-party counterparts in every way – and even beat them in some ways. places Plus, third-party models tend to be substantially cheaper than Canon, Nikon, and Sony lenses, so they’re ideal as access to serious photography without breaking the bank.
The Sigma 105mm f/2.8 Macro deserves serious consideration by any photographer interested in capturing beautiful macro shots; it offers everything a close-up shooter could need, including stunning image quality, fast autofocus, and good noise resistance. One interesting feature is the manual aperture ring, which allows you to change the aperture slightly by hand. This lens also focuses internally, so unlike other lenses, you won’t see the front of the barrel protruding outwards (which helps if you’re taking pictures of mounted insects, and also stops flowers or produce from being blown in as you photograph. ).
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Some users find the Sigma’s autofocus a little slow, but that’s something I’ve never experienced – plus, most macro photographers prefer to work with manual focus, anyway. Currently, Sigma only makes this lens for Sony and Leica cameras, which would be an important limitation to keep in mind about your current gear. If you’re a Canon or Canon shooter looking for a quality third-party macro lens, I recommend some other options below, but you’ll also be able to pick up some of Sigma’s handheld macro lenses, many of which are truly excellent. (although they can find new ones).
It might seem a bit strange to see an expensive 80mm macro lens on this list, but I’ll keep in mind that Fujifilm doesn’t produce full-frame cameras; this lens is designed for the X line of APS-C cameras, which gives this lens